Doing Lines With Spinal Tap
Here’s some memorable lines from Spinal Tap:
Marty DiBergi: Oh, there actually is, uh... there was a Saint Hubbins?
David St. Hubbins: That's right, yes. Marty DiBergi: What was he the saint of? David St. Hubbins: He was the patron saint of quality footwear.
Ian Faith: Certainly, in the topsy-turvy world of heavy rock, having a good solid piece of wood in your hand is often useful.
[Nigel is playing a soft piece on the piano] Marty DiBergi: It's very pretty.
Nigel Tufnel: Yeah, I've been fooling around with it for a few months.
Marty DiBergi: It's a bit of a departure from what you normally play.
Nigel Tufnel: It's part of a trilogy, a musical trilogy I'm working on in D minor which is the saddest of all keys, I find. People weep instantly when they hear it, and I don't know why.
Marty DiBergi: It's very nice.
Nigel Tufnel: You know, just simple lines intertwining, you know, very much like - I'm really influenced by Mozart and Bach, and it's sort of in between those, really. It's like a Mach piece, really. It's sort of...
Marty DiBergi: What do you call this? Nigel Tufnel: Well, this piece is called "Lick My Love Pump."
Artie Fufkin: [after nobody turns up, at an album-signing promotion] You know what I want you to do? Will you do something for me?
David St. Hubbins: What?
Artie Fufkin: Do me a favor. Just kick my ass, okay? Kick this ass for a man, that's all. Kick my ass. Enjoy. Come on. I'm not asking, I'm telling with this. Kick my ass.
Mick Shrimpton: As long as there's, you know, sex and drugs, I can do without the rock and roll.
[Reading a review of Spinal Tap's latest album] Marty DiBergi: "This pretentious ponderous collection of religious rock psalms is enough to prompt the question, 'What day did the Lord create Spinal Tap, and couldn't he have rested on that day too?'"
Nigel Tufnel: You can't really dust for vomit.
David St. Hubbins: It's such a fine line between stupid, and clever.
Nigel Tufnel: It's like, how much more black could this be? And the answer is none. None more black.
Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and...
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it's louder? Is it any louder?
Nigel Tufnel: Well, it's one louder, isn't it? It's not ten. You see, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don't know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don't you just make ten louder and make ten be the top number and make that a little louder?
Nigel Tufnel: [pause] These go to eleven.
Reader Comments (1)
That was fun, I haven't done lines in years! LOL!